Miguel Marías: World Poll 2019

lunes, 23 de octubre de 2023

World Poll 2019

Great recent movies (made since 2014) seen for the first time in 2019

Mademoiselle de Joncquières (Emmanuel Mouret, 2018)
Dau Huduni Methai (Song of the Horned Owl, Manju Borah, 2015)
El Crack cero (José Luis Garci, 2019)
Jiang hu er nv (Ash is Purest White, Jia Zhang-ke, 2018)
Carré 35 (Plot 35, Éric Caravaca, 2017)
Sic transit Gloria Mundi (Gloria Mundi, Robert Guédiguian, 2019)
If Beale Street Could Talk (Barry Jenkins, 2018)
Ad Astra (James Gray, 2019)
Le Chant du loup (The Wolf’s Call, Antonin Braudy, 2019)
Shooting the Mafia (Kim Longinotto, 2019)
Village Rockstars (Rima Das, 2017)
Tantas Almas (Valley of Souls, Nicolás Rincón Gille, 2019)
Un peuple et son roi (Pierre Schoeller, 2018)
Aamis (Ravening, Bhaskar Hazarika, 2018/9)
Fishbone (Adán Aliaga, 2018)
O que arde (Fire Will Come, Oliver Laxe, 2019)
La Fin de la nuit (Lucas Belvaux, 2015)
Ramen Teh (Ramen Shop, Eric Khoo, 2018)
Light of My Life (Casey Affleck, 2019)

Great movies (made before 2014) seen for the first time in 2019

’49-’17 (Ruth Ann Baldwin, 1917)
Ba shan ye yu (Evening Rain / Night Rain of Mount Ba, Wu Yigong and Wu Yonggang, 1980)
The Spirit of the Flag (Allan Dwan, 1913)
Versailles (Pierre Schoeller, 2008)
Ùn pienghjite mica (Les Anonymes, Pierre Schoeller, 2012/3)
Foxfire (Joseph Pevney, 1954/5)
Johnny Come Lately (William K. Howard, 1943)
I girovaghi (Hugo Fregonese, 1956)
Nunal sa Tubig (Speck in the Water, Ishmael Bernal, 1976)
Ikaw ay Kin (You Are Mine, Ishmael Bernal, 1978)
Pervyí eshielon (The First Convoy, Mikhail Kalatozov, 1955/6)
The Sea Wolf (Alfred Santell, 1930)
Surrender (William K. Howard, 1931)
The Restless Years (Helmut Käutner, 1958)
Darling, How Could You! (Mitchell Leisen, 1951)
Ko:Yad (A Silent Way, Manju Borah, 2012)
The Flame (John H. Auer, 1947)
Ernst Thälmann-Sohn seiner Klasse (Kurt Maetzig, 1954)
Ernst Thälmann-Führer seiner Klasse (Kurt Maetzig, 1955)
Bólshaia Sémia (A Big Family, Iosif Kheífits, 1954)
Circuit Carole (Emmanuelle Cuau, 1995)
Harvey (Henry Koster, 1950)
As It Is in Life (D.W. Griffith, 1910)
Abroad with Two Yanks (Allan Dwan, 1944)
Behind Office Doors (Melville W. Brown, 1931)
Lovin’ The Ladies (Melville W. Brown, 1930)
La Tarea o cómo la pornografía salvó del tedio y mejoró la economía de la familia Partida (Homework, Jaime Humberto Hermosillo, 1990/1)
A Modern Hero (G.W. Pabst, 1934)
Surrender (William K. Howard, 1931)
Jubilee Trail (Joseph Inman Kane, 1954)
Matinée (Jaime Humberto Hermosillo, 1976/7)
Linda (Mrs. Wallace Reid = Dorothy Davenport, 1928/9)
Die missbrauchten Lebesbriefe (Leopold Lindtberg, 1940)

Very good movies (made since 2014) seen for the first time in 2019

Photograph (Ritesh Batra, 2019)
The Mule (Clint Eastwood, 2018)
The Man Who Killed Hitler and Then The Bigfoot (Robert D. Krzykowski, 2018)
Frères ennemis (Close Enemies, David Oelhoffen, 2018)
L’Homme fidèle (A Faithful Man, Louis Garrel, 2018)
Pris de court (Not on My Watch, Emmanuelle Cuau, 2016)
Dolor y Gloria (Pain and Glory, Pedro Almodóvar, 2019)
Frost (Šerkšnas, Sharunas Bartas, 2017)
Vitalina Varela (Pedro Costa, 2019)
Da xiang xi di er zuo (An Elephant Sitting Still, Hu Bo, 2018)
Di qiu zui hou de ye wan (Long Day’s Journey Into Night, Bi Gan, 2018)
La Tenerezza (Tenderness, Gianni Amelio, 2017)
Fourteen (Dan Sallitt, 2019)
Bulbul Can Sing (Rima Das, 2018)
A Rainy Day in New York (Woody Allen, 2019)
Legado en los huesos (Fernando González Molina, 2019)
Ma vie dans l’Allemagne d’Hitler (My Life in Hitler’s Germany, Jérôme Prieur, 2018)
La Vie balagan de Marceline Loridan-Ivens (Yves Jeuland, 2018)
Gangbyeon Hotel (Hotel by the River, Hong Sang-soo, 2018)
The Wind (Emma Tammi, 2018)
Kothanodi (The River of Fables, Bhaskar Hazarika, 2015)
Dar Jostojoy-e Farideh (Finding Farideh, Azadeh Moussavi & Kourosh Ataee, 2018)
Sir (Rohena Gera, 2018)
El Proyeccionista (The Projectionist, José María Cabral, 2019)
Intemperie (Benito Zambrano, 2019)
Madre (Mother, Rodrigo Sorogoyen, 2017, short)
Three Identical Strangers (Tim Wardle, 2018)
Madre (Rodrigo Sorogoyen, 2019)

Very good movies (made before 2014) seen for the first time in 2019

A Life for a Kiss (Allan Dwan, 1912)
Futari de aruita iku haru aki (The Days We Spent Together, Kinoshita Keisukē, 1962)
The Necklace (D.W. Griffith, 1909)
Das Schiff der verlorenen Menschen (Ship of Lost Men, Maurice Tourneur, 1929)
The Broken Locket (D.W. Griffith, 1909)
Primrose Hill (Mikhaël Hers, 2007)
The Rejected Woman (Albert Parker, 1924)
El último malón (Alcides Greca, 1917)
Bullets for O’Hara (William K. Howard, 1941)
Le Récit de Rebecca (Paul Vecchiali, 1964)
La noche avanza (Night Falls, Roberto Gavaldón, 1952)
Over-Exposed (Lewis B. Seiler, 1956)
I rollerna tre (Christina Olofson, 1996)
Il Viale della Speranza (Dino Risi, 1953)
Because of You (Joseph Pevney, 1952)
1870/…Correva l’anno di grazia 1870 (Alfredo Giannetti, 1972)
Demi-tarif (Isild Le Besco, 2003)
L’Exercice de l’État (The Minister, Pierre Schoeller, 2011)
Cheng nan jiu shi (My Memories of Old Beijing / Old Stories of the Southern Part of the City, Wu Yigong, 1983)
Strangler of the Swamp (Frank Wisbar, 1945/6)
Sword in the Desert (George Sherman, 1949)
There’s Always Tomorrow (Too Late For Love;Edward Sloman, 1934)
East Side, West Side (Allan Dwan, 1927)
Le Départ (Damien de Pierpont, 1998)
Face aux fantômes (Jean-Louis Comolli, 2009)
The Eagle and the Hawk (Mitchell Leisen, credited to Stuart Walker, 1933)
Whirlpool (Roy William Neill, 1934)
The Animal Kingdom (Edgard H. Griffith; uc. George Cukor, 1932)
Le Passager (The Passenger, Éric Caravaca, 2005)
Razumov (Sous les yeux d’Occident) (Marc Allégret, 1936)
Banjo On My Knee (John Cromwell, 1936)
One Night of Love (Victor Schertzinger, 1934)
Enchantment (Robert G. Vignola, 1921)
Charell (Mikhaël Hers, 2006)
Men With Wings (William A. Wellman, 1938)
Delitto per amore (L’edera) (Augusto Genina, 1950)
Les Amants de Minuit/Les Amours de Minuit (Augusto Genina, 1930/1)
Human Cargo (Allan Dwan, 1936)
Up the Ladder (Edward Sloman, 1925)
Luxury Liner (Richard B. Whorf, 1948)
Surrender! (Edward Sloman, 1927)
The Judge (Elmer Clifton, 1948/9)
Turbión (Antonio Momplet, 1938)
Der Ruf (Josef von Báky, 1949)
Faubourg Montmartre (Raymond Bernard, 1931)
Träumerei (Harald Braun, 1944)
The Red Lantern (Albert Capellani, 1919)
El Paseíllo (Ana Mariscal, 1968)
La quiniela (Ana Mariscal, 1960)

Great movies growing up or just rediscovered in 2019

Letter of Introduction (John M. Stahl, 1938)
Only Yesterday (John M. Stahl, 1933)
Our Wife (John M. Stahl, 1941)
Wohin und zurück (Axel Corti, 1982-6)
Giorno per giorno, disperatamente (Alfredo Gianetti, 1961)
Die wunderbare Lüge der Nina Petrowna (Hanns Schwarz, 1929)
Alyonka (Boris Barnet, 1961)
Craig’s Wife (Dorothy Arzner, 1936)
Imitation of Life/Fannie Hurst’s “Imitation of Life” (John M. Stahl, 1934)
Captains Courageous (Victor Fleming, 1937)
Test Pilot (Victor Fleming, 1938)
The Eternal Sea (John H. Auer, 1955)
Hello, Sister! (Anonymous: Erich von Stroheim, Alfred L. Werker, Raoul Walsh, Alan Crosland, 1933)
La noche de enfrente (Night Across the Street, Raúl Ruiz, 2012)
Journey into Light (Stuart R. Heisler, 1951)
Feel My Pulse (Gregory LaCava, 1928)
La signora senza camelie (The Lady Without Camelias, Michelangelo Antonioni, 1953)
Nosotros que fuimos tan felices (Antonio Drove, 1976)